From my blog...

Mr. Gladstone’s Library

A few months ago the e-newsletter Shelf Awareness ran a photo gallery of remarkable libraries. One picture that particularly caught my attention was of Gladstone’s Library in Wales. Here’s the photo: Gladstone's1

 

Intrigued and a little bit enchanted, I immediately went to the Library’s website to learn more about it. I discovered that its collection had been founded by Prime Minister William Gladstone at the end Gladstone's2of the 19th century, and that the building in which it is housed opened in 1902 as the National Memorial to Mr. Gladstone. It now contains over 200,000 books, and it is open to the public. 

 

Gladstone’s Library is wonderfully supportive of writers. It hosts book launches, writing workshops, poetry and short story contests, and an annual literary festival. It is also a residential library, so a researcher or a writer can stay there and work. I’d never heard of such a thing! Reviews on TripAdvisor describe it as a peaceful retreat set in beautiful grounds, and looking at the photos, I can believe it.

Gladstone's8

In addition to all of this, a few years ago Gladstone’s Library instituted an annual Writer-in-Residence program. The writers chosen to participate in the program receive board and lodging, access to the library, and time to write and to think.

Gladstone's5

Author Stella Duffy at Gladstone’s Library

In return, the writers each offer a day-long creative writing workshop or an “Evening With” event. And, I read, applications were being accepted for the 2014 Writer-in-Residence scheme.

 

Writer-in-Residence. The words were not typed in bold face, but that’s how I saw them; and as soon as I saw them I began to dream. What would it be like to stay in Wales for a time, to work on a manuscript, to conduct research, to teach a workshop and to retreat from the world and immerse one’s self in the writing process? How wonderful a gift that would be! Only, what were the chances of someone like me, a debut author, being considered for such a thing? And were Americans even eligible?

 

Gladstone's4

Accommodations, Gladstone’s Library

 

 

I quickly e-mailed the Library. Upon receiving their assurance that Americans could apply, I carefully prepared the information requested for consideration: a copy of my book, a CV, a description of what I would be working on at the library, and a brief essay on liberal values. That last item took the most time, and a great deal of thought. Mr. Gladstone would have approved. (And I owe a debt of gratitude to my editor at HarperCollins UK for negotiating the British Postal Service for me.)

 

Then I waited. It would only be six weeks or so (which seemed like an eternity) until the writers for 2014 would be determined. But I was busy – hard at work revising my current work-in-progress (still working on that); consulting with my agent on the sale of my second book about Emma of Normandy; planning and setting out on a working holiday to Britain. Always, though, niggling at the back of my mind, was the slender thread of hope that I might, just might, one day go to Gladstone’s Library.  

 

Does this tale have a happy ending? Well, as I have discovered repeatedly over the last two years, miracles do happen. I am proud to announce that for two weeks in the autumn of 2014 I will be the Writer-in-Residence at Gladstone’s Library in Hawarden, Flintshire, Wales. It is an honor and a challenge, and I am enormously grateful to the Library and to the committee of judges for granting me such a wonderful opportunity.  Gladstone's6

And now, yes, I’m getting back to revising that work-in-progress.

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Into the Woods

Lithia Park

Lithia Park

When I go to Ashland for the Oregon Shakespeare Festival, my days begin with an hour’s walk through Lithia Park. I come across other early risers walking or jogging through the leafy glades , and frequently they are in groups of 3 or 4, avidly discussing whatever play(s) they attended the previous day. Does that happen anywhere else besides Ashland? I doubt it.

At any rate, this summer Lithia Park invaded Ashland’s Elizabethan Theater, to the delight of the audiences who were lucky enough to see it.

Three plays were performed in rotation on the outdoor stage that resembles Shakespeare’s Globe.

For 2013 the plays were”The Heart of Robin Hood”, “Cymbeline” and “A Midsummer Night’s Dream”. Set designer Michael Ganio, charged with creating Sherwood Forest, the wilderness of Wales and Oberon’s fairy woodland, decided to create a basic set that would work for all three plays: he created the suggestion of a forest on the stage. One of the delights of attending the performances in sequence was in seeing how the set was transformed for each play.

For “Robin Hood” there were rope ladders leading from one level to another, musical instruments sprouting from tree bark, and above it all, a huge golden ring that served as Robin’s private man-cave.

The Welsh forest of “Cymbeline” seemed to invade the king’s palace. Cymbeline’s throne looked like one of the boulders in Lithia Park — a huge rock that had been dragged on to the stage and chiseled into the shape of a chair. The bed frame of the wicked queen crawled with twisted, thorny tree limbs while the bed of the  innocent Princess Imogen was bedecked with white roses. (I wish the queen’s wicked bed had been on the stage for far longer than it was. It was awesome.)

For “A Midsummer Night’s Dream” Ganio and video artist Alexander Nichols collaborated to create the most magical setting of all. I have no idea how they did it, but before our eyes brightly colored vines and flowers climbed up every vertical space on the set and bloomed in the windows. The color palette changed from cool blues and purples to warm reds and golds as the temper of the scene changed. Or stars suddenly glimmered above the trees in a midnight blue sky. It was dazzling.

I have seen many plays in Ashland’s Elizabethan Theater, having attended the festival at least a dozen times. I have always been impressed by the sets, the costumes, the actors and the ingenuity of the directors — from the classically presented “Henry V” to an “As You Like It” performed as a rollicking musical Western. I understand that the play’s the thing.

But this year I felt that the plays chosen for the Elizabethan stage — and especially the set designed for them — transported me for 3 wonderful evenings to a magical, mythical world.

It was damned difficult to leave it behind.

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Fecamp’s Abbey Church of the Holy Trinity

She sent her mind elsewhere, across the Narrow Sea to Fécamp, to the massive church hard by her father’s great hall. She was five years old, and her mother was leading her to the side chapel, bidding her place her hand upon the marble plinth where an angel had once stood. He had appeared there in the year of Emma’s birth and had left behind the imprint of his foot in the stone. It had been worn even deeper since then, by the hands of the faithful that had touched it in reverence.

Chapter 39

Shadow on the Crown

 

The church described in the passage above is the Abbey Church of the Holy Trinity in Fecamp, Normandy. Founded by Emma’s father, Richard, the first Duke of Normandy, it was part of a large Benedictine abbey that would prosper until 1791 when the French Revolution caused its closure and the buildings were sold or destroyed. Now only the church remains.

Trinity Abbey church as seen from the ducal palace

Trinity Abbey church as seen from the ducal palace

 

I visited Holy Trinity in 2007. Much of the building dates back to the 13th century, but some of the foundation stones of the original church built by Richard I are still visible along one of the transepts. At least, that’s what I understood from my interpretation of the French guidebook I consulted.

 

Inside the abbey church I met a docent who pointed out a marble plinth with a hollow in its center. According to what she told me, the worn marble was the footprint of an angel. Here is the story:

 

In the year 990, around the time of the building of the church, there was some disagreement regarding its dedication. It needed a name. It needed a saint to watch over it. Who was it to be? One day a stranger – an angel – appeared in the church and placed a sword upon the altar. The sword was inscribed with the words “In the name of the Holy and Indivisible Trinity.” Whether the words were in French or Latin (perhaps Angelisc?) the legend does not say. At any rate, the angel left his footprint on the marble, and the church was dedicated to the Trinity. It is that bit of worn marble that Emma remembers near the end of my novel.

The worn marble, where the angel stood.

The darker area at the bottom of the photo is the worn marble, where the angel stood.

 

Ducs' graves, Trinity Church, FecampThe tombs of Emma’s father and brother are located in a chapel in the south transept of the church. I do not believe that either duke was originally buried in this spot. Supposedly Richard I, at least, was given a Viking burial on a hilltop above Fécamp, in view of the sea. At some time, though, his body was brought inside the church, and now he lies beside his son.

 

The two Richards also appear on the west front of the church, but the magnificent statues date from the 19th century, not the 11th. I can’t help thinking that these two men – warriors, descendants of Vikings, horsemen, and feared rulers of a vast territory – might, in real life, have dressed somewhat differently than they are depicted here. 

 

Richard I, Duke of Normandy

Richard I, Duke of Normandy

Richard II, Duke of Normandy

Richard II, Duke of Normandy

 

 

……………………………………………………………………………………………………………………………………………………………………………………………………………… Holy Trinity boasts another miraculous relic in addition to the angel’s footprint: two vials of the Sacred Blood. The blood was collected by Nicodemus at the foot of Christ’s cross, then inserted into the trunk of a fig tree that washed up in the swampland of Fécamp. The relic has been the object of pilgrimage for centuries, justifying the size of the abbey church.

And the abbey church is indeed large. The nave is the same length as Notre-Dame, in Paris. The Lantern Tower at the crossing of the transept is typical of Norman Gothic architecture of the 11th century, allowing light to illuminate the center of the church. It’s a beautiful church, but of course what I was seeing in 2007 bore little resemblance to the church that Emma would have known in her father’s time. That would have been a smaller abbey church, surrounded by cloisters and gardens, dormitories, storehouses, perhaps a hostelry for pilgrims.

Emma never forgot Fecamp or the monks who dwelt there. She saw to it that the abbey was granted the port revenues and rents of the English town of Steyning, which lies directly across the Narrow Sea from Fécamp. Thus, the Benedictine abbey founded by a Norman duke became wealthy through the intercession of England’s Norman queen.

Posted in Research | 8 Comments

Tasty Summer Reads Blog Hop

Today I’m taking part in a Tasty Summer Reads Blog Hop! If you’ve never heard of a blog hop – and this is my first! – here is how this one works: Each author invites up to five other authors to answer five questions about their current summer release or Work In Progress, and at the end toss in a tasty recipe that ties into it. As more authors join the hop (and it’s only August – the summer is young!) I will add links to their blogs so readers can discover their books and experiment with new recipes. I was invited to join this event by the delightful Jessica Knauss, and I have invited Gillian Bagwell to join the hop. Her recipes should be up soon. So, let us begin!

 

My summer release is SHADOW ON THE CROWN, which appeared in the U.S. last February and was launched in Britain in June. The novel’s setting is 11th century England. Fifteen-year-old Emma, sister of the Duke of Normandy, crosses the Narrow Sea to wed King Aethelred II, and finds that she is bound to a man tortured by past sins and haunted by the ghost of a murdered king. Little more than a political  hostage – Emma learns very quickly that in the treacherous game of marital politics, it’s the bride who shoulders all the risk. She must draw on courage and cunning to navigate the subtle schemes of sinister elements at court, and to defend herself against a rival scheming for the king’s favor. The book is the first of a trilogy about Emma of Normandy, and will, I hope, immerse you in the pre-Conquest world of Anglo-Saxon England.

Now let me tackle the tasty questions I’ve been posed.photo

 

1) When writing, are you a snacker? If so, sweet or salty? I’m not a snacker, but there is always a pot of tea on my desk.

 

2) Are you an outliner or someone who writes by the seat of their pants? And are they real pants or jammies? My outline is non-traditional. I make monthly tables listing the events documented in the Anglo-Saxon Chronicle, then I insert the events that will occur in the book. It’s tricky, figuring out when a character will give birth, then working backward to make sure all the appropriate players are in place for the conception! Or trying to determine how long it takes a ship/an army/a man on horseback to get from one place to another!

 

No jammies. I’m a jeans-and-a-sweatshirt gal.

 

3) When cooking, do you follow a recipe or do you wing it? I follow the recipe. It’s part of my personality, I guess. When I was a kid, I colored inside the lines. As a teenager I rarely transgressed, although there was that time when I was “trunked” into the drive-in and…but that’s another story.

 

4) What is next for you after this book? Because SHADOW ON THE CROWN is the first book of a trilogy, I’m currently hard at work on the sequel. All of my neighbors have read SHADOW, and now when I leave the house and one of them spots me I’m greeted with, “Why aren’t you at your computer writing???” So yes, I’m working on that follow-up book.

 

5) Last question…on a level of one being slightly naughty and ten being whoo hoo steamy, how would you rate your book? Well, I would rate it a five, but naughty is not the word I would use to describe it. Sexual liaisons in medieval times – at least in my novel – were riddled with danger for women, even when sanctioned by the church. Pregnancy and childbirth could be deadly. I think that, almost unconsciously, I’ve added an element of risk to every sexual encounter in the book.

 

And now for the recipe! One of the launch events for my book was an Authentic English Tea, and since I am a lover of tea with all the trimmings, I can think of nothing better to share with you than my recipe for scones.

 

The Bracewell Scone

Makes 12 biscuits

 

Ingredients:

1/3 c currants

1 c boiling water

2 c all-purpose flour

3 T sugar

5 tsp baking powder

1/4 tsp salt

1/3 c butter

1 c milk

 

Method:

1. Preheat oven to 425°F

2. Soak currants in boiling water 5 minutes while preparing remaining ingredients.

3. Combine flour with sugar, baking powder & salt.

4. Cut in butter until it is in small pieces. Drain currents well, pat dry & add to mixture.

5. Pour milk over dry ingredients & lightly gather dough together with your fingers. Place dough onto a lightly floured board & knead 5 or 6 times.

6. Pat dough out to a thickness of ¾”. Cut into 2 ¼” circles. Pat extra dough together lightly and cut YorkTeaout more circles.

7. Place circles of dough onto a buttered & floured cookie sheet. Dust the tops lightly with flour.

9. Bake for 15 to 18 minutes.

And here are the authors who’ve participated up to this point. Take a look at their offerings! Thank you for stopping by!

Christy English Nancy Goodman Lauren Gilbert Lucinda Brant Prue Batten Anna Belfrage Ginger Myrick Jo Anne Butler Kim Rendfield Cora Lee Jessica Knauss  

Susan Spann Richard Abbott

 

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A Vist to Fécamp

In 2007 I traveled to Normandy to conduct a little research. One of my objectives was the town of Fécamp – a fishing village on France’s Alabaster Coast. Fécamp is known today for its pretty harbor and its shoreline.

Fecamp Harbor

Fecamp Harbor

19th c Palais Benedictine

19th c Palais Benedictine (Wikimedia Commons)

It is also the birthplace of the liqueur Benedictine, first distilled by a Benedictine monk in the 16th century. (The story behind that mysterious elixir reads like a Dan Brown novel: a secret recipe lost for centuries, re-discovered, its ingredients unraveled, a flamboyant 19th century factory/palais built, torched, and rebuilt, from which flowed a concoction that was distributed world-wide.) The Palais Benedictine is now a museum – but I digress.

Much as I like Benedictine, I was far more interested in the original abbey, some streets away and some 1000 years older. Even more enticing than that was the ducal palace that faced the abbey church. I had determined that the first scene of the novel I was writing about Emma of Normandy would be set in the Fécamp palace, so I spent the better part of an afternoon exploring both palace and church.

Ducal Palace, Fecamp

Ducal Palace, Fecamp

Tower Fecamp

Fecamp palace, probably a later addition.

At the end of the 10th century, the ducal estate at Fécamp was the favorite residence of Emma’s father, Richard, the first Duke of Normandy. There was another ducal palace in Rouen on the banks of the Seine, but nothing remains of that today except a street name: Place de la Basse-Vielle Tour (Place of the Low Old Tower). In Fecamp, though, there are ruins. I’d seen photos of them on the internet, and I wanted to see them for myself; so with my intrepid husband behind the wheel of our rental car we drove northwest from Rouen, making the occasional wrong turn in those more adventurous days before GPS, and arrived mid-morning at Fécamp.

Window/Fecamp palace

Archway, Fecamp palace

Luckily, I was not expecting to see anything resembling the palaces along the Loire that we had explored some years before. This fortress, I knew, would be far older and far less impressive – little more than crumbling walls, yet they were walls that my heroine would have known. Originally built in wood by Richard I, the palace had been rebuilt in stone by Emma’s brother – an edifice remarkable for its time, according to the sign posted at the entrance to the site and deciphered via my lamentable French and my husband’s far better vocabulary.

Entryway, palace, Fecamp

Entryway, palace, Fecamp

According to the history books, Emma’s brother was born here, and although Emma’s birthplace is not recorded, it seemed logical to me that she could have been born here as well. Besides, Fecamp suited my purposes far better than Rouen. (Although, don’t get me wrong – I love Rouen!) Fecamp is on the English Channel, what the French call La Manche, and what Emma would have known as the Narrow Sea. The coastline here mirrors England’s chalk cliffs, and I could imagine that the ships carrying Emma to England would sail along Normandy’s coast until they reached Cap Gris Nez and struck out across the narrowest part of the channel to make for England.

Coastline at Fecamp

Coastline at Fecamp

So I set about exploring Fécamp’s palace ruins, imagining the hall at its center, the outbuildings, the courtyards. There would have been kitchens and bake houses. Perhaps they made wine here or a kind of hard cider – this part of Normandy has been known for its apple orchards for centuries. The duke’s estate would have been vast, surrounded by fields for agriculture and forests for hunting. There would have been a mews for the duke’s hawks, kennels for his hounds. There would have been stables, of course, because even in Emma’s time the Normans were breeding horses for war.

Window embrasure, Fecamp

Window embrasure, Fecamp

I could imagine the sons and daughters of the duke riding along the beach below the chalk cliffs, and Emma as a child, standing on the pebbled shore, unaware that she would one day cross that body of water as a peaceweaving bride.

That afternoon spent wandering amid the ruins was what inspired the earliest scenes in Shadow on the Crown. Near the end of the book, the abbey church of St. Trinity would make an appearance as well. I’ll write about that church – and the miraculous event that occurred there – next week.

Ducal Palace at Fecamp

Ducal Palace at Fecamp

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July 15, St. Swithin’s Day

From Shadow on the Crown:

Æthelred, his black-robed queen at his side, led a procession of ealdormen and clergy, of noblemen, their wives, and as many townsfolk as could walk or hobble, in a solemn procession from the palace steps and down the dripping, tree-lined path that led to the Old Minster. Inside this, the largest church in England, beneath the massive golden shrine of St. Swithin, Bishop Ælfheah led them in prayers of supplication. Æthelred gazed in despair at the magnificent, gem-studded, gold-and-silver reliquary that his father had commissioned to honor St. Swithin.

And who, you might ask, was St. Swithin?

He was a 9th century bishop of Winchester, a saint who was quite popular in Anglo-Saxon England. It’s claimed that he was a tutor of the young Alfred the Great. He gave gifts to the poor and needy, and was famous for building bridges and churches. He sounds a very practical man, and before his death in 853 he requested that he be buried out of doors in a humble tomb where people could walk over his grave and where the raindrops from the eaves of the church could fall upon him. Nine years after Swithin’s death the clerics at Winchester tried to move his remains inside the Old Minster, in direct opposition to his final wish. Apparently, the saint was not happy about this move and showed his displeasure by inflicting rain on England for the next 40 days. Thus the rhyme about St. Swithin’s Day and the weather:

St Swithun’s day if thou dost rain
For forty days it will remain
St Swithun’s day if thou be fair
For forty days ’twill rain no more

And so, for over a century, St. Swithin stayed out of doors.

Some 120 years after his death, though, the Old Minster in Winchester was due for a remodel. The church, dedicated to Sts. Peter & Paul, had been a site of worship and pilgrimage for hundreds of years, and had undergone several periods of rebuilding since its founding in the 7th century. St. Swithin was prayed to there, and in fact the minster was hung about on both walls from end to end with the crutches and stools of the crippled who had been healed by the sainted bishop.

In the 970s, during the reign of King Edgar (AEthelred’s father), the Old Minster was enlarged. On July 15, 971, a more determined bishop successfully translated St. Swithin’s remains into the nave where they were placed in a shrine made of gold, silver and precious gems. The church was re-dedicated, this time to St. Swithin himself. Work on the church continued, and by 1000 it was the largest church in England and possibly in all of Europe. It had a cloister, a refectory, a dormitory, a royal scriptorium, a plumbing system and a massive organ that needed 70 men to operate it. It had a vast side chapel that rivaled Charlemagne’s great octagon at Aachen. There was even an upstairs throne room where the king could view the Mass and be seen by his subjects. 

 

The Old Minster is the church on the right.

The Old Minster is the church on the right.

Some time later bits of St. Swithin were sent to other churches in England. His head went to Canterbury. An arm went to Peterborough Abbey. Most of him, though, remained within the Old Minster, and when, in 1093, a Norman cathedral was built (the one you see in Winchester today), the shrine was placed behind and above the high altar. The cathedral today is still dedicated to St. Swithin, but he has to share it with the Holy Trinity and those old stand-bys, Peter and Paul.

St. Swithin was revered throughout the Middle Ages, and there are still churches all over England dedicated to the saint. In London there was a St. Swithin’s church in Candlewick Street (now Cannon Street) from the 13th century until modern times. The fire of 1666 destroyed it, but a new St. Swithin’s, designed by Christopher Wren, took its place. The church, alas, did not survive the bombs of WWII. At war’s end only the pulpit was salvageable, and the church’s ruins were finally demolished in 1962.

In Stavanger, Norway, there is a cathedral dedicated to St. Swithin. It is the oldest cathedral in Norway, founded in the early 12th century by a bishop who may have hailed from Winchester and so have had a fondness for the Old Minster and his hometown saint.

And what happened to St. Swithin’s shrine with its precious gems and gold? Henry VIII happened. On 21 September, 1538, in the dark of night, Henry’s minions demolished the shrine, scattered Swithin’s bones, and made away with everything of value. And St. Swithin, it would seem, could feel the raindrops fall upon him once again.

Sources:
www.earlybritishkingdoms.com
www.wikipedia.com
www.newadvent.org
The Blackwell Encyclopaedia of Anglo-Saxon England

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Why Emma?

It’s a question I’m often asked: “Why would an American from California write a novel about an all but forgotten 11th century English queen?

The house where I grew up.

The house where I grew up.

The house where I'd like to pretend that I grew up.

A house where I’d like to pretend that I grew up.


Certainly, if I’d followed the old adage “Write what you know” I would never have attempted to write Shadow on the Crown. At some point in my life, though – and I really can’t tell you when – I replaced that old adage with my own: “Write about what you’ve discovered, and let your imagination take care of the rest.” It seems to have worked pretty well.

Taking a summer course at Cambridge: discovering how much I didn't know.

Taking a summer course at Cambridge & discovering how much I didn’t know.     

Of course there is more than one answer to the question, “Why Emma?”     

For example: Because I thought Emma extraordinary, and it seemed to me unconscionable that her name was not every bit as familiar as Eleanor of Aquitaine or Anne Boleyn. I wanted to fix that, and I had the godawful cheek to think that I could do it by writing a book.

There’s another answer that’s a bit more pragmatic: It occurred to me that if I was going to write a historical novel, it should be about someone who hadn’t already been written about (ie Eleanor of Aquitaine or Anne Boleyn) by dozens of authors before me. The little-known Emma of Normandy seemed the perfect heroine for an aspiring author, and I was in a fever to write my book before someone else discovered her.

Anne boleyn

Anne Boleyn (Wikimedia Commons)

I was already too late, of course, although I didn’t know it. British writer, Helen Hollick, had found Emma first. Her novel A Hollow Crown appeared in the UK just as I was beginning my first draft, and her book would be released in the U.S. as The Forever Queen as my agent was shopping my manuscript around New York. Would I have begun my book, if I had known? Undoubtedly, because I was already too far gone — smitten by a queen who had died a millennium ago, ensnared by the story that was unfurling in my head.

Once my manuscript was finished, though, acquisition editors did not immediately jump at the chance to publish a novel about Emma of Normandy. Apparently they hadn’t received the memo that books about little-known queens should be immediately snapped up. In their eyes, the time period was unfamiliar, and the supporting cast — men with names like Æthelred, Athelstan, Ælfhelm and Ælfheah — was more than a little daunting. My office wall blossomed with rejection letters. I began to fret that the reason there were so few novels about Emma of Normandy was not because they hadn’t been written, but because no one had been inclined to publish them. Would I follow in those footsteps?

Happily, no. To my great good fortune (and through the persistence of my unflagging agent), a fabulous editor at Viking fell in love with my book. Shadow on the Crown is now available in the U.S. and the U.K., and will soon appear in Italy and Brazil. Emma of Normandy may not yet be as well known as Eleanor or Anne, but she’s making progress, and I am so very glad that I found her and did not stop to ask myself “Why”!

 

Emma of Normandy

Emma of Normandy (Wikimedia Commons)

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Afterglow

I’ve found that attending a Historical Novel Society conference – and I’ve just returned from my fourth conference in five years – is akin to being tossed into a blender. Faces, names, and stories all whirl around me non-stop for two and a half days. I’m continually trying to form connections, grasp insights and capture memories before they’re whisked away from me, while at the same time, jet-lagged, I’m struggling to keep my head above water. (Or soup. Or smoothie. Or frozen margarita. Choose one.) 

Barry Webb & Annmarie Banks at Fri. night dinner.

Barry Webb & Annmarie Banks at Fri. night dinner.

Unlike conferences that last for a week and focus on various aspects of writing, the Historical Novel Society gathering is not so much an assortment of ‘how to’ workshops as it is an opportunity to network, to find inspiration, and to share war stories.


I came away this time with numerous impressions, as well as a conviction that I returned home with far too few photos and business cards to help jolt the fading images into sharp focus. For what it’s worth, here are some of the things still tumbling about in my head from last weekend’s conference in St. Petersburg, Florida –


The beautiful Renaissance Vinoy Hotel – the perfect venue for this conference. And no, I never didVinoy_night have my picture taken in front of it, but I did catch it on film the night before I left. Supposedly there’s a resident ghost – now presumably wearing the pearl drop earring that accompanied me to Florida but mysteriously disappeared before I could wear it.


Anne Perry confessing that her favorite recreational reading is Michael Connelly, whose Harry Bosch is absolutely nothing like Perry’s Victorian detective William Monk!


Jane Steen’s grin that just tickled me to pieces as she asked me to autograph a copy of my book.

 

Saturday lunchtime speaker CW Gortner

Saturday lunchtime speaker CW Gortner

Chris Gortner speaking so movingly from his heart to touch all of ours.


Melanie Spiller’s gorgeous braids (her real hair!!!) on banquet night, and no I did not get a photo I’m such an idiot!


Mary Sharratt’s eloquence every time she opened her mouth at any of the sessions.


Teralyn Pilgrim as a very pregnant and hilarious vestal virgin.


Talking shop with Jenny Barden, Deborah Swift, and Maryka Biaggio and a dozen others over meals or drinks.

Weapons9

David Blixt at swordplay


David Blixt looking like a ballet dancer as he demonstrated sword play – and it is, he assured us, li
ke dancing. The dang Viking swords are bloody heavy, though. I was anything but light on my feet as I tried to mimic the swordmaster.


Stephanie Renee Dos Santos impersonating Frieda Kahlo right down to her fingertips.

Diana Gabladon at the podium

Diana Gabladon at the podium

 

 


Diana Gabaldon revealing, to my surprise, how her Outlander series began, not at the very beginning with Clare and Frank, but with an 18th century kilted warrior standing in a highland hut demanding, “Who are you?” (Och, Jaimie.) And perhaps that’s not surprising at all, now I think on it.

 

Chris Cevasco sporting a battle axe instead of that great tie. That will do.

 

 

Chris Cevasco and his awesome Bayeux Tapestry tie.

Discussing genealogy, sign language, and  Scotland with historical researcher Jody Allen in one of the few quiet interludes.

 

My agent Stephanie Cabot and her roster of histfic authors celebrating Dolen Perkins-Valdez’s latest book deal.

Julianne Douglas, Patricia Bracewell, Stephanie's daughter, Stephanie Cabot, Dolen Perkins-Valdez, Maryka Biaggio, Stella Duffy

Julianne Douglas, Patricia Bracewell, Stephanie’s daughter, Stephanie Cabot, Dolen Perkins-Valdez, Maryka Biaggio, Stella Duffy


Witty and wonderful Gillian Bagwell as Joan, Lady Rivers, hosting the Saturday night costume pageant.

Patricia Bracewell (trying to match the carpet) with Joan, Lady Rivers, aka Gillian Bagwell


The sea of eager, curious, intelligent faces smiling at me from the audience when I told my ‘Making It’ story or offered my tiny two cents on animating the voices of women in history. (And I forgot to take pictures!!!)

Wishing that I could be in several places at once, so I could take part in all of the dinner table, bar, and veranda conversations. Or better yet, that I could stop time and movement, and walk among the gathered writers and readers to take photos at my leisure and commit names and faces and stories to heart, far better than I have.

Be advised: the next Historical Novel Society conference will be held in September, 2014, in London. Mark your calendars.

 

 

 

 

 

 

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The Duke’s Women

Gonnor_de_crepon

Gunnora de Crepon (Wikimedia Commons)

The heroine of SHADOW ON THE CROWN, Emma of Normandy, was the youngest daughter (or so we think) of Richard I, Duke of Normandy and his duchess, Gunnora de Crepon. Emma’s mother appears only in the early chapters of my novel, but she had an interesting story of her own – or, at least there were interesting stories told about her!

Richard_1

(Wikimedia Commons)

Robert of Tirgni, a monk writing in the twelfth century, records a mildly lascivious tale about how Gunnora and Duke Richard met. The duke, age 27, was out hunting and he sought a night’s lodging in the home of Gunnora’s married sister, Senfrie. Smitten by Senfrie’s beauty, Richard invited her to his bed. Senfrie, though, did not wish to be an adulteress. So she sent her unwed sister instead. (Let’s not look too carefully at the moral choices behind THAT particular decision.) Richard didn’t notice the switch until morning, which doesn’t say much for Richard’s powers of discernment, but never mind. Come the dawn he realized he’d been duped, but by that time he didn’t care. He and Gunnora were now an item.

Mind you, Richard already had two children from a previous liaison. Oh, and he was about to be wed to someone else altogether: Emma Capet. They’d been betrothed for fifteen years, from the time that the bride was only two years old. They must have known each other fairly well, as Richard was the guardian of Emma Capet’s brother, Hugh (future king of Frankia, but that was still decades in the future.) There is no question that Richard’s marriage to Emma Capet was a political one. Her father, another Hugh, aka Hugh the Great, was a 10th century mover and shaker. Through his marriage to Emma Capet, Duke Richard gained some powerful relations.

But Gunnora was no slouch in the relations department either. She was of Danish descent, from a very wealthy family with lands in western Normandy. Because Richard, too, was of Danish/Norse descent, his liaison with Gunnora would have enhanced his power among the Viking crowd that had settled in Normandy in consecutive waves since his grandfather had landed in 910.

Richard’s marriage to Emma Capet produced no children; meantime Gunnora presented him with nine sons and daughters. I can’t help wondering about poor Emma Capet, wed to a man who clearly preferred another woman. How often did she see the duke? Did she live with him in Rouen while his other family dwelt in Fecamp, the coastal town that was Richard’s favorite residence? Or was she barren simply because she never saw her husband? Their marriage ended in less than a decade, when Emma Capet died.

Once he became free to marry again, did Richard wed Gunnora? No. It wasn’t until much later, about the time that their second son Robert was an adult and about to be consecrated Archbishop of Rouen that, at the urging of his noble counselors, Richard formalized his relationship with the mother of his nine children. Apparently Richard didn’t see the need. Conjugal relations were a little loose in Normandy. Even two generations later, Duke Richard’s great grandson, William (the Conqueror) was the son of a concubine, not a church-sanctioned union.

Whatever Gunnora may have felt about her husband’s French wife, she must have been confident that she held the winning hand, for she had given Richard the sons and daughters that he needed to found a dynasty. Indeed, many of the great noble families of Normandy and England are descended from Gunnora and her sisters.

When Richard died and his eldest son Richard II donned the ducal crown, Gunnora was for many years his counselor and advisor. She was a significant force in ducal politics for decades, and for her daughter Emma she must have been a living example of female power and regency.

Sources & Inspiration:
Queen Emma & Queen Edith, Pauline Stafford, Blackwell Publishers, Ltd. Oxford, 2001.
The Normans: The History of a Dynasty, David Crouch, Hambledon & London, 2002/
Wife, Concubine, Other? The Marital Status of the Norman Ducal Women in the 10th & Early 11th Century, Charlotte Cartwright, SUNY-Oswego, Paper presented at International Congress on Medieval Studies, 2013

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indieBRAG Blog Tour: Author Paula Lofting on SONS OF THE WOLF

Sons of the Wolf Book Tour Banner

Today I am hosting indieBRAG Medallion recipient, Paula Lofting, who has been honored for her historical fiction novel, Sons of the Wolf. While many writers spend hours in libraries and at computer screens researching their novels, Paula has gone a little beyond,  literally stepping into her historical period through her involvement with Regia Anglorum as a re-enactor. I’m happy to give Paula an opportunity to tell you about her book!Lofting_Kit

Hi Patricia, thanks for giving me a spot on your blog to tell your readers about my award winning novel, Sons of the Wolf.

Sons of the Wolf is a historical novel set in the 11th century, in the years leading up to the Norman Invasion of 1066. It follows the fortunes of a Sussex thegn and his family. Interwoven into the story are real historical events, the battle of Hereford for one, and the politics of the time. Against the historical background of King Edward’s reign we meet Wulfhere, a Sussex thegn, whose position demands loyalty to the king himself. But Wulfhere is duty bound to also serve Harold Godwinson, Earl of Wessex; it’s a bond forged within Wulfhere’s family heritage and borne of the ancient Saxon ideology of honour and loyalty. Wulfhere is a man with the strength and courage of a bear, a warrior whose loyalty to his lord and his king is unquestionable. He is also a man who loves his family and would do anything to protect them.

Wulfhere’s lineage boasts many warriors, and the story unfolds around the intricate lives of his family and the village for which he is responsible. Also central to the story are Wulfhere’s children: Freyda, his eldest daughter, reckless, defiant and lovely; Tovi, his youngest son, whose spirit is suppressed by the troublesome pranks of the red-haired twins, Wulfric and Wulfwin; and Winflaed, a younger daughter whose tacit acceptance of womanhood belies a stronger spirit and a longing to hold a sword in battle like her warrior father. We also meet Ealdgytha, Wulfhere’s golden-haired wife, beautiful, neurotic and proud. Her lust for success and advancement threatens to drive a wedge between her and her husband, while Wulfhere’s battle with his conscience and his love for another woman tears at the very heart of their relationship.Lofting_Wolf

At the core of the story is an embedded theme: the blood feud that runs through the very veins of two men, Wulfhere and his neighbour and arch enemy, Helghi. When young Freyda enters into a relationship with Helghi’s son Edgar, Wulfhere’s lord, Earl Harold, demands that they wed to heal the bad blood between the two villages. Horrified at this prospect, Wulfhere is determined to extricate himself from this oath, but to do so could earn him the displeasure of Earl Harold, a prospect that would not sit well with Wulfhere’s steadfast nature. Not wishing his daughter a life of misery in Helghi’s household, Wulfhere has to find a way of withdrawing from the contract with Helghi without compromising his honour and his oath to his lord.

The mid 11th  century was an intriguing, exciting and devastating period of history. In the years before the Battle of Hastings, England and her people were prosperous. Yes there was slavery and poverty, but it was not the sort of slavery where people were dragged from their homes and taken far away to die in a foreign land (although one cannot be sure that this class of slaves did not exist in England) but more of the type that took slavery as a way of paying their debts or if their poverty was such that they had to sell themselves and their family to stop themselves from starving to death. Another way of becoming a slave was to commit a crime. Slaves had rights as well as ordinary people, which is quite a different story to the former class of slave who had none whatsoever.

The feudal system that came over with the Normans was not known to England, although their system was similar. One of the main differences was that English men and women were allowed to own land as a free hold, owing no service to anyone for it. Also, if a man did not like working for his lord, he could hand back his property and leave. The English landowning system was a complex institution with many variances in what was owed. Although slavery was eventually abolished after the Norman Conquest, the slaves were replaced by the peasantry who virtually lost their freedom to become unfree peasants, tied to their lords who owned the land. They were not permitted to leave their land holdings and were not free to marry without permission.

The transformation of the English class system to that of the Norman feudal system was devastating. Those of the thegnly class, whose father’s fought and died against William the Conqueror, forfeited their land and became destitute peasants; hopefully their former tenants might have taken them in and given them succour in their need. Women who were once, under English law, allowed to own their own land and property independent from their male kin, gradually lost their rights and became the property of their husbands or male guardians. The Norman custom of primogeniture would cause more loss of tenure for many English, as landless young nobles looked for land as favours from the king.

Ok, so the Normans may have brought us magnificent castles, knights, beef, bacon and rabbits, but what good was that if you were locked up in a dungeon that you were forced by the knights to build; for poaching rabbits in hunting grounds that were once yours? There would be no beef or bacon to eat for you. Law and order already reigned in the efficient administration systems that had been forged in the kingdom before the time of Alfred. The Normans added their own laws to an already working structure. Their laws favoured the foreigners who had come to settle, not the people who they were designed to control and subdue.

Sons of the Wolf shows us what life was like for the English people before the Battle of Hastings changed their world. Life was not perfect or idyllic but compared with what was about to come…


Lofting_headshotAs part of this indieBRAG Tour, Paula is giving away 9 e-book copies and one paperback of
Sons of the Wolf. To enter the giveaway, send your contact information to her at sonsofthewolf1066@googlemail.com
Giveaway draw will be on June 25.

Follow other posts on Paula’s tour here:
http://www.bragmedallion.com/blog-tour/indiebrag-blog-tour

Read more about Paula and more about her research at:
www.paulaloftingauthor.com
www.paulaperuses.blogspot.co.uk
www.paulalofting-sonsofthewolf.blogspot.co.uk
www.threadstothepast.blogspot.co.uk

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