From my blog...

Vikings!

Ship Hall

The main purpose of this trip to Copenhagen was to visit the Viking Ship Museum at Roskilde. This is a research center as well as a destination for family outings. For me it was a research trip, and so I read (and photographed for future reference) every line of posted information that I thought might be of use. The central exhibit, though, was made up of the remains of five ships that were resurrected from the bottom of the fjord and have been pieced together like the skeletons of huge dinosaurs. Additionally, the researchers, craftsmen and sailors have built reconstructions of these viking ships and they are docked in the harbor.Visitors here can learn about viking shipbuilding, about what the vikings carried on board their ships, about their sails, about how raids were carried out and how trade was conducted. Something that was completely unexpected was an amazing tapestry, the Rollo Tapestry, which hung on one wall. Although it is a modern work of art, it is based on the Bayeux Tapestry, and tells the story of Rollo, the first viking to become a ruler in what would be called Normandy. My interest? Well, Rollo was the great grandfather of Emma of Normandy, the heroine of my novels, and apart from admiring the artistry involved in creating the tapestry, I was fascinated by the research that went into telling Rollo’s story, complete with references to historical documents in the pamphlet that accompanied the exhibit. Alas, we were not allowed to take photos of the tapestry, but you can see it here: http://www.tapisseriederollon.com/en/

Playing Viking

The Viking ship is rowed to the dock.

Okay, yes, there was also an opportunity to play dress up, and I could not resist wrapping up for a few moments in a fur-trimmed viking cloak. There was another memorable, serendipitous event as well. As we walked along the dock we spied a viking ship coming towards us from out in the fjord, manned by men and women of all ages, each of them pulling at the oars. I think Lloyd was grateful that we hadn’t been there when it set out, in case I was tempted to take part. (Unlikely. I’m pretty sure that Emma of Normandy never had to pull an oar.)

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Kulturnatten

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Copenhagen at Night

Friday night, 10/14, was Culture Night in Copenhagen, an annual event when churches, government buildings, palaces, museums, art centers and performance centers open their doors from 6 p.m. until midnight. So we set out on a Friday night beneath a full moon that played hide and seek among thin clouds. We pretty much took pot luck because the program provided was in Danish, and although we were escorted by good friends on sabbatical in the city for some months, their Danish was only marginally better than ours, which was nil.


Royal Dog

Instead we went to Amelienborg Palace, a huge building that covers four sides of a massive square and the residence of Queen Margaret of Denmark and her consort. We were given entry to the museum portion, each room crammed with furniture, mementos and photos from several sovereigns. More importantly, we were introduced to one of the royal doggies who was curled up in the royal garage with his own huscarle at his side and half a dozen royal cars nearby. It was my first up close encounter with a Rolls Royce, and it will probably be the only time I will ever pet a royal dog.

Royal Rolls

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Hanging Out in Copenhagen


Dog: blonde. Owner: not

Copenhagen is, at first glance, a city of young, beautiful thin blondes. That impression changed a bit for me when, on Saturday, as we made our way along the Stroget (a long, pedestrian shopping street) and a flood of a much broader range of folk – light skinned, swarthy skinned, light-haired, black haired, some weightier than others – streamed towards us, making for the central station after I-know-not-what event in the big square near Tivoli. Nevertheless, on weekdays in the heart of the city, the average person is Danish light in every way, and a great many of them are riding bikes. This tends to make crossing the street a little treacherous for the unwary. Just because you have a green light doesn’t mean that some biker barreling down on your left is going to stop for you. It is particularly perilous on blocks under construction – and there were many of them – when walkers, bikers and cars shared the same space.


Nyhavn

We learned to search for kamikaze bikers before crossing a street and, frankly, the proliferation of bike riders only inspired my admiration. This is a fabulous city – although I have to admit, we had perfect weather: autumn cold but brilliantly sunny. For fashionistas, the look is neck scarf, sweater, skinny pants and boots, or short skirt, tights and boots. I would have loved to spend some time shopping, (wool coats! Leather boots!) but the dollar does not go far here and, luckily, I did not have the time.

Old friends

By sheer luck I had booked us a hotel, The Strand, in a lovely part of the city, quite close to the lively Nyhavn (New Harbor) area. There we could window shop, eat, catch a boat tour of the canals of Copenhagen, and walk to any museum or church we might want to visit. An old friend from high school was residing literally around the corner, and upon our arrival, jet-lagged and bleary eyed, she served us tea and chocolate cake to revive us, then escorted us to the National Museum so I could explore the (of course) Viking Age exhibit. And bless her heart she warned us about the bikes!

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Of Crowns and Kings


Throne Room. Rosenborg. Copenhagen.
Here is how reading a historical novel can impact your world:

Rosenborg Palace, Copenhagen
U.K. author Rose Tremain’s wonderful book, MUSIC AND SILENCE, is set in 17th century Copenhagen — much of it in Rosenborg Palace.
It is the story of an English musician hired by the Danish king, Christian IV, to play in the court orchestra. The orchestra’s venue: the cold underbelly of Rosenborg Palace. The orchestra performed in the cellar so that the music wafted through several unobtrusive openings in the floor of the palace rooms above them, charming the king and his guests.
The cellar and the portals are still there, although not obvious unless you ask a guide. My inquiry began, “I read a novel…” and the reply came immediately. “You read MUSIC AND SILENCE. Yes, the orchestra was in the cellar, and an orchestra still plays down there on special occasions.”  And then he told me where to look.

Crown of Christian IV
One hopes that the cellars are heated now — as they were not in Christian IV’s time. The orchestra pit (pit indeed!) was not open for public view. I had to content myself with the basement display of the crown jewels, including Christian IV’s delicately stunning crown.

With only one full day to spend in Copenhagen, I very much doubt that I would have found my way to Rosenborg had it not been for MUSIC AND SILENCE.

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Searching for Emma

Next week’s post will be from Copenhagen, but a recent significant occurrence in my life has me remembering a European journey I took in 2007. It began in Normandy, where I went in search of a young woman named Emma who lived there a thousand years ago.

Palace ruins at Fecamp, Normandy
My search took me to Rouen and to some of the abbeys in the Seine valley – all places that Emma would have known. It took me to the coastal fishing port of Fecamp where Emma’s brother, the Duke of Normandy, had built a ducal residence. I could still see the remains of that building, but it took a great deal of imagination to try to discern the world that Emma would have seen from its window embrasures.

Fecamp heights above the Narrow Sea
Climbing the heights above Fecamp I looked out at the Channel that was once called the Narrow Sea. That channel was ever treacherous. Even an English prince once drowned in those waters. I wondered what the crossing would have been like for a young woman in the 11th century. I wondered what life would have been like for Emma.
My wondering led to years of research, further travel and, at last, to the completion of a novel about the daughter of the Norman Duke. Through the efforts of my remarkable agent, the novel has now found a home with a major publishing house and an enthusiastic editor, and that’s the significant occurrence I mentioned above.

Lloyd at Jumieges Abbey, Normandy
But it all started with that trip in 2007 and, like almost all of my journeys of the past 30 years, I was not alone. I had the companionship, support, and encouragement – not to mention driving skills – of my husband, who believed in Emma and in me, even when I had trouble believing in myself. Here’s to our next adventure together!

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Pondering Charlemagne

What do you remember about Charlemagne from your 5th Grade History class? I remember learning that King Charles the Great (that was how he signed his name, Karoli Gloriosissimi Regis – really) was crowned Holy Roman Emperor by the Pope in Rome on Christmas Day in 800 A.D., and that he had a palace in a place called Aix-la-Chapelle. As a child I thought that Aix-la-Chapelle was in France. The name looked French. But I was wrong. Charlemagne’s magnificent palace was in Germany, in what is now Aachen.

There were a few other things that Sr. Mary Rose did not tell us about Charlemagne. She never mentioned that he had 5 wives, most of whom he put aside so he could wed someone else more politically advantageous, and that along with the wives he had 5 mistresses. She never mentioned that these assorted women presented him with 20 children between them. And she certainly never even hinted that his 10 daughters were never allowed to wed, and that Charles the Great’s fabulous palace was home to the girls, their lovers and their children so that they could cater to Charles until he died, at which time the girls’ brother, Louis, showed up and kicked them all out.

Charlemagne’s palace, alas, is no longer with us, but Charlemagne is. His tomb is in Aachen, in the Palatine Chapel, which is the only bit of the 9th century palace that is still standing. It was completed in A.D. 805, making it over 1200 years old, although some architectural historians insist that the chapel could not have been built before A.D. 1050. Even if that is true, it still meets my definition of old. I plan to pop in to see Charles’ tomb next month.
I wonder where all his wives are buried.

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What Next?

As I confessed from the outset, I have a thing for the distant, distant past – further back, even, than Will Shakespeare who was writing his plays a mere 425 years ago. In my quest for people and places somewhat older, I will soon be winging across the Atlantic and into Europe’s early medieval past.
First stop…..
…Copenhagen. Well, Roskilde, actually. About a 30 minute train ride outside of Copenhagen, Roskilde is perched at the edge of a lovely fjord. In the 10th and 11th centuries, back in the stretch of time when the Danes were ruled by Harald Bluetooth followed by Swein Forkbeard and then by Cnut the Great, Roskilde was the center of the Danish Viking world. In those days Copenhagen was just a little fishing village called Havn, and it would not become Denmark’s capital until the 15th century. Meantime, Roskilde was the happening place.  For me the central draw in Roskilde will be the Viking Ship Museum (Vikingeskibsmuseet) and the 5 longships on display there, pulled up from the bottom of the fjord and restored. There are numerous replica ships there, as well, plus a boatyard, a research station and exhibits on life in the Viking age.
But wait. Let’s go back to Harald Bluetooth for a moment. Does that name, Bluetooth, sound familiar? Here’s why. That modern device that you wear on your ear was named after the 10th century king, Harald Bluetooth (more politely referred to as Harald I), who united the separate tribes in Denmark and some of the best bits of Norway and Sweden into one realm. Today’s Bluetooth does the same thing with communications protocols, uniting them into one universal standard….and that’s why some bright, no doubt Viking-loving chap, decided to call it a Bluetooth. Betcha didn’t know that.

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Why EarthWalker?

I was searching for a travel blog title that would reflect not just my interest in travel but also my interest in early medieval England. And so I turned to my trusty Norton Anthology and leafed to the Old English poem, The Wanderer.

Battle of Hastings, October, 2009
“Often the lone-dweller lives to find favor, mildness of the Lord, though long over the water-way, troubled in heart, he has had to stir with his arms the frost-cold sea, tread the tracks of exile. Fully fixed is his fate.”
So spoke the earth-walker, mindful of hardships, of cruel war-slaughters – and the fall of dear kinsmen.
It is, of course, a lament and hardly a reflection (I hope!) of the journeys I hope to record in this blog. But the imagery in this poem, particularly this translation by E. T. Donaldson, has always moved me. The poet reveals his heart’s thought, opens his heart’s coffer and his mind’s hoard-case. He speaks of his gold-friend, of woven-waves, of walls covered with frost-fall and dwellings that are storm-beaten. In his world he is winter-sad and it is a place where the night-shadow falls.
Wanderer and earthwalker are translations of the same Anglo-Saxon word, eardstapa. And so I found the title for my blog.
I am not alone in turning to The Wanderer for literary inspiration. J.R.R.Tolkien found the phrase middle earth here, as well as the inspiration for the beautiful, mournful chant that Aragorn sings in the language of the Rohirrim in The Two Towers (Chapter 6, if you’re looking for it).
More recently, Bernard Cornwell turned to The Wanderer for the favorite phrase of his hero, Uhtred, in Cornwell’s Saxon Stories. Wyrd bid ful araed, he says. Fate is inexorable.
I think I’m in good company.

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The Ashland Festival


Not the Forest of Arden. We bumped into these two on our morning walk.

I’ve attended the Oregon Shakespeare Festival many times, but only this year did I discover the publication Illuminations: A Guide to the Plays. Published annually, it provides wonderful insights into all the plays presented in that year – whether a work of Shakespeare, Moliere or some 21st century playwright. There is far more information in Illuminations than you can find in the playbill, and I highly recommend it for anyone who attends the Festival. Now, about the plays.

August: Osage County by Tracy Letts
This has to be one of the most actress-centered dramas since Lorca’s House of Bernardo Alba. There are five wonderful female roles in this play, and here at Ashland the actresses stepped into them with gritty relish. Screaming, shouting, wailing, cat-fighting, plate-throwing. Pills, alcohol, pot. Divorce, suicide, sibling rivalry. A smattering of incest. All right there on the stage among the members of 3 generations of Westons in Pawhuska, Oklahoma. This play carries family dysfunction to a new low, yet never so low that we want to look away. It was like watching a train wreck in slow motion: 3 and a half hours long, and every minute of it riveting. The playbill calls it a comedy, but if so, it was very, very black. I attended the drama with two psychiatrists, and when I glanced at them at each intermission (there are 2), they were grinning. We talked about it for an hour the next day. If at all possible, go see this play with your analyst.

Measure for Measure by W. Shakespeare
This play is all about sex. No question about THAT! But it’s also the play that sent me scurrying to the bookshelves where I found Illuminations. I wanted some background because it is one of Shakespeare’s “problem plays”, and although I had my own theories about what the Bard was trying to do, I felt like I was groping in the dark.
The setting: 1970’s America, in a town called Vienna, which has a decidedly Spanish flavor in this production in spite of the fact that the characters’ names are all Italian. (Even Shakespeare wasn’t going for verisimilitude when it came to setting.) The stage itself looked like a corporate boardroom, and it funtioned as well for a bordello, a jail, a courtroom and a monastery. There were some remarkable effects done with a long window at the back which added texture to the rather drab setting.

It took a while to get used to ‘70’s hippies spouting Tudor English, but I got past that eventually and settled into the rhythm of the …..comedy? Could this play ever be acted as a true comedy? Well, there are some comic bits in the dialogue, and the Festival cast added some wonderful comic embellishments of their own. In all I think they did a terrific job with this play, although I am still not quite happy with the actress cast as Isabella. I wanted someone with a little more gravitas and a great deal more sex appeal.

This post is already way too long. More tomorrow.

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Shasta to Ashland

On Tuesday morning I woke at 3:15 a.m. to find Lloyd peering out the window.“What is it?” I asked“There’s a bear out there.”

A bear. I should take a photo for my blog, I thought.
But it was 3:15, and a ravaging bear might not take kindly to a photographer’s flash. I went back to sleep.
In the morning, outside, a garbage can lay pillaged, trash scattered everywhere, a reminder that we were in bear territory.

Inside our “chalet”, surrounded by all the comforts of civilization, it was easy to forget that Mother Nature lay just beyond the door lintel, and that sometimes she played rough.

Lake Siskiyou, which we cannot agree on how to pronounce.

ASHLAND
REVIEW
Willful, by Michael Rohd
Avante garde. Performance art. Non-linear storytelling. I can think of no other way to describe this play. Never before have I handed in my ticket at the theater door only to be given earphones, a listening device and a map! Divided into three groups, the audience first had to find its way to one of three separate performance areas where each group was witness to three different opening scenes. For scenes 2, 3 and 4, the audience was directed to move, as one, to 3 locations, one after the other, and the threads of the separate stories slowly came together, but not in any linear way. Time and memory were fluid, and the characters, along with the audience were on a voyage of discovery.

I think you’d have to see the play 3 times to really understand all the stories and how they are related.

I think I liked it.

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